Horror film lists¹¹⁰

Some doors were locked for a reason.

Films built around killer sharks — the post-Jaws subgenre that ranges from genuine horror to camp creature features. From canonical entries (Jaws, Open Water, The Shallows) through the Italian rip-off cycle and modern SyFy-era schlock.

You should've kept driving.

One night a year, the masks come on.

Wish you weren't here.

Miles from help, and not alone.

For the harvest.

The previous owners never left.

The #100HorrorMoviesIn92Days challenge is to watch 100 horror movies you’ve never seen between August 1st and October 31st. There is no limit or requirement on the daily movie count. Only that you must watch at least 100 movies in the 92-day period.

It's the most wonderful time of the year.

The unsung vehicle of horror.

My 100 favorite Horrors. Note: Watership Down is actually in my top 4 favorite films of all time, however I don't see it as a horror overall so that's why it is so low on this Horror list. The same goes for A Clockwork Orange, which I do think is more horrific than Watership Down. Hope this makes sense :) Also, Some of the lower entries have not been seen more than once, so they are low on the list for that reason.

Films with Black leads and villains.

My Annual Halloween Marathon

2nd Annual Halloween Marathon

Series 6

Series 9

Series 10

Series 11

Series8

Series 7

Series 5

Series 4

The 72 films listed by the UK Director of Public Prosecutions in 1983–84 as obscene under the Video Recordings Act. Films 1–39 were successfully prosecuted; 40–72 were either dropped or unsuccessfully prosecuted.

Beyond what the audience expects or is comfortable with. Films designed not to entertain but to endure — pushing violence, taboo, and transgression past every conventional boundary.

The British Film Institute's ultimate horror watchlist — one great horror film from every year from 1922 to present, plus the BFI's curated 10 Greats series across vampire, folk horror, slasher, and other subgenre threads. Appropriated from the official BFI Letterboxd account.

Rolling Stone's 2022 ranking of the 101 best horror films of all time, compiled by the magazine's film and culture critics — leans heavily on canonical and contemporary American/British titles with select international entries.

Time Out's 2016 ranking of the 100 best horror films of all time, compiled by an expert panel including writers, directors, critics, and academics. Often cited as one of the most influential modern horror canon lists.

Variety's ranking of the 100 best horror films of all time, compiled by the trade publication's film critics. A canonical industry-perspective list spanning silent-era classics through contemporary releases.

Slant Magazine's ranking of the 100 greatest horror films of all time — a critic-driven canon known for elevating arthouse and international entries alongside the genre's tentpoles.

Shout! Factory's horror imprint — the boutique label rescuing 1970s-90s American horror, slasher cycles, and TV-movie shockers from format obsolescence. Listed in chronological release order.

British boutique label known for definitive editions of Italian giallo, classic horror, action, and cult cinema. Catalog covers UK and US releases of Arrow Video's main line in chronological order.

The boutique label specializing in European exploitation, Italian horror, and rescuing obscure international cult titles. Severin's catalog is a deep cut into giallo, eurohorror, mondo cinema, and the strange corners of grindhouse.

American boutique label dedicated to genre cinema preservation — softcore, hardcore, exploitation, slasher, regional horror, and forgotten VHS-era oddities scanned and restored from original elements. Maintained by the official Vinegar Syndrome Letterboxd account.

Horror films in the Criterion Collection — the boutique label's selection of essential, important, and historically significant horror cinema. Curated and maintained by the official Criterion account on Letterboxd.

Films name-checked in Kim Newman's Nightmare Movies — the comprehensive critical encyclopedia of horror cinema since 1968. An exhaustive reference rather than a curated canon, covering thousands of films across the modern horror era.

The films catalogued in Kier-La Janisse's 2012 book — a hybrid of film criticism and personal memoir built around women's neurosis in horror and exploitation cinema. The Letterboxd mirror tracks the canonical filmography from the book.

Films discussed in Carol J. Clover's foundational 1992 study of gender in modern horror — the book that named the 'final girl' archetype and reframed slasher, occult, and rape-revenge cinema through feminist film theory.

The films listed in Appendix I of Stephen King's 1981 non-fiction book on horror — King's personal canon of essential horror, fantasy, and dark fantasy cinema from 1950 to 1980. Entries 1-41 are King's personally-marked favorites.

The complete filmography of Hammer Film Productions — the British studio whose Gothic horror cycle from 1957 (The Curse of Frankenstein) onward defined the genre's color era and elevated Christopher Lee and Peter Cushing to icon status. Spans the studio's original 1934-79 output plus the 2008-present revival.

The 124 horror, mystery, and dark-fantasy films released by Universal Pictures between 1923 and 1959 — the studio's classic-monster era. Spans from Lon Chaney's Hunchback of Notre Dame through The Leech Woman, including the canonical creature features (Dracula, Frankenstein, The Wolf Man, The Mummy, Creature from the Black Lagoon), Universal's Sherlock Holmes mysteries with Basil Rathbone, and the Abbott & Costello monster parodies.

The independent studio Lloyd Kaufman and Michael Herz founded in 1974, and the films it made or picked up and released: Blood Sucking Freaks, Mother's Day, The Toxic Avenger, Class of Nuke 'Em High, Tromeo & Juliet, Poultrygeist and a long tail of backyard splatter.

Dark Castle Entertainment was founded in 1998 to remake William Castle's gimmick horror films, starting with House on Haunted Hill and Thir13en Ghosts. This list puts the studio's films next to Castle's own, from Macabre (1958) to Bug (1975).

Award winners across all juried prizes at France's Gérardmer Fantastic Film Festival, 1994-2019 — Grand Prize, Jury Prize, Critics' Prize, Audience Award. The country's premier showcase for horror and fantastic cinema, successor to the Avoriaz Fantastic Film Festival.